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Tiger Choir

Mon 7 Feb 2011

An Accurate Reflection

From Tasmania, Australia, Tiger Choir’s washy rhythms spread like a contagious disease, sending cascading electronics and heavily cushioned reverb out into the atmosphere. The three-piece band consisting of Hamish Cruickshank, Sam Nicholson and Eliot Taylor describe themselves as “a bit all over the place”, bouncing between songs littered with electronic samples to songs cut using guitars, adopting a more traditional post-punk viscosity.  All have a kind of reflective nature, sounding like double takes rebounding off a two-way mirror. There’s an airy, slightly shambolic combustion happening, but in some way it sounds sweet and melodic, like a gentle meandering Tasmanian river, deep, slow and muddy.

The band currently has a self-titled EP up for grabs on Bandcamp, which they released in October 2009. In the not to distant future they plan to release their debut album Unicycles, and they have kindly offered a free download of ‘Dancer’, track 5 and the second single off the album. They’re supporting Deerhunter at a couple of shows in Australia then heading to New Zealand for a summer tour, including a performance at Campus A Low Hum in Bulls later this week- the dates are listed below.

February 8- The Metro Theatre, Sydney (Aus) (supporting Deerhunter)
February 9- Billboard, Melbourne (Aus) (supporting Deerhunter)
February 11-13- Campus A Low Hum, Bulls (NZ)
February 15- Happy, Wellington (NZ)
February 17- Whammy, Auckland (NZ)
February 18- El Santo, Christchurch (NZ)

Tiger Choir – Dancer: MP3

Tiger Choir- Bandcamp

Tiger Choir- Myspace

 

Posted by Nick Fulton under Australia, Tasmania
No Comments

A Dead Forest Index: new EP

Sat 23 Oct 2010

Turning The Distance Into A Pattern

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Adam and Sam Sherry have been sitting on these songs for about a year now, having recorded a full album’s worth of material at Auckland’s York Street studios in October 2009. Finally they’ve made the decision to release a new EP, using three tracks from the York St sessions and a live recording of their song ‘Turning’.

The four tracks carry on A Dead Forest Index’s dark, ethereal vision, combining heavy drum beats and layered vocal patterns to form haunting saturnine melodies.  ‘Anchoring The Hands’, previously posted here on EMJ, begins as a chugging pop song before Adam Sherry’s voice is put into a spiralling loop, repeating two poetic phrases simultaneously.  ‘Under A Winter Sun’ is a brilliant piece  of vocal tapestry, with vocals layered on top of each other like building blocks creating a powerful church-like chant. New single ‘Distance’ is where the brothers combine, through a series of fiery metaphors. You can hear the determination in Adam’s voice as he becomes more impassioned as the song progresses, before fading out via a beautiful melodic hum.

A Dead Forest Index’s latest EP, Antique, can be purchased via Bandcamp for just $4.

A Dead Forest Index- Distance: MP3

A Dead Forest Index- Myspace

Image by Leah Robertson

 

Posted by Nick Fulton under Australia, Melbourne
No Comments

Dot.AY

Tue 6 Jul 2010

Million Dollar Blip

dotay.jpg

Alex Yabsley’s music was once described as “drum & bass that sounds like making violent love to a Commodore 64.” That’s a kind of far-out explanation for what is essentially a mix of circuit bent Gameboy cartridges and abrasive drum machine beats. Alex is the Australian king of chiptune, a bizarre musical genre made up of artists who manipulate computer games and rewire cartridges and game chips through various recording software. It’s all very complicated, as Alex explains in this excellent interview with gamemusic4all.com. He has a self-described obsession with Nintendo games, pixelated violence and sonic art, and all of those influences are expressed in his musical offering, which sounds like Sonic the Hedgehog being decapitated with a pickaxe or Mario buzzing out on magic mushrooms. Imagine a computer game trapped between levels, morphing and weaving into a deranged show tune, or a neon sign flickering on and off and a million tiny mosquitoes addicted to its impulse dancing like minuscule angels.

Since beginning his musical odyssey in 2006 Alex has gained rave reviews across Australia. Live he has performed alongside Dan Deacon, Girl Talk and Crystal Castles and his recorded music has featured on seven different compilations. He has three official releases of his own; Don’t Tell The Zombies EP (2008), Pwncore EP (2008) and a self-titled debut album released in 2009. There’s links to download them all for free on his website. And if you feel like exploring a bit further, Alex has his university thesis titled The Sound of Playing – Music Technology available for download. You’ll find it in the ‘writing’ section of his website.

 Dot.AY- Education: MP3

Dot.AY- Default To Paranoia: MP3

Dot.AY- Myspace

 

Posted by Nick Fulton under Australia, Brisbane
1 Comment

Sharpie Crows: new song

Sat 3 Jul 2010

Fifteen Golden Balls

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By now the name Sharpie Crows should be inscribed on your work desk. They’ve already cemented themselves alongside Die! Die! Die! as the best New Zealand band of the last decade and this song just confirms their ferocity, derailing rumours of a band rift and an impending breakup. ‘Fifteen Golden Balls pt. 2′ appeared on a recent Mole Music sampler; showcasing a bunch of new and old bands associated with the small New Zealand indie label. The Sharpie Crows song is clearly the highlight of the 6 track sampler, which also features songs by Rifles, Nevernudes, Mild America, The Body Lyre and Deer Park. Returning to Melbourne after touring New Zealand last November the band expelled their original bass player Josh Jenkins and has been playing with a temporary bass player who, according to Mole Music’s Sam Walsh, has also now left the band. However ‘Fifteen Golden Balls pt. 2′ and several other Golden Balls tracks, rumoured to be from an upcoming Sharpie Crows EP were recorded with Jenkins, and his unmistakable bass notes perfectly in time with drummer Jackson Hobbs’ heavy beats again give the band a thumping echo. Like many of the songs on the band’s last album Greed, ‘Fifteen Golden Balls pt. 2′ is driven by the rhythm section that lay a staunch foundation for keyboard/vocalist Sam Bradford and guitarist Casey Latimer to play cat-and-mouse, interlocking their unpredictable instrumental personalities. It’s Sharpie Crows’ most colourful song to date, with delay and reverb used on Bradford’s voice to provide a harmonic cushion from the more abrasive elements of their sound. There are rumours of a Sharpie Crows album and an EP before the end of 2010.

Sharpie Crows- Fifteen Golden Balls pt. 2: MP3

Sharpie Crows- Myspace

Download The Burrow Pt.1 free Mole Music sampler

 

Posted by Nick Fulton under Australia, Melbourne
[3] Comments

Caught Ship

Tue 29 Jun 2010

Salem To The Moon

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Those of you who witnessed Salem’s totally suck-arse performance at SXSW earlier this year and consequently gave up on the band might now have something new to champion. Australia has a death drone band up to the challenge, contorting and weaving a bleak electronic pulse that will pinch every nerve in your spinal chord. Unlike Salem, Caught Ship sound more like a power surge than a dead circuit. Their music is littered with starry electronics and is built around a repetitive wave of bass and keyboard drone. It’s more organic with a strong emphasis on instrumentation, both live and recorded, allowing fans to interact and recognise the music being built in front of them. There are no dead ends, Caught Ship are live-wire zombies; a gloomy sound with an extroverted personality. Vocalist Ben Snaith is reminiscent of a young David Byrne, dancing like a spazz with his arms swinging and he leans into the microphone like Richard Hell. Their performance from Saxbrowl Sunday on May 30th looks more like a scene from CBGB in 1976 New York, during the height of new wave when freaks like The Voidoids and Blondie ruled the throne, than from a small bar in down town Melbourne.

The band has two official releases, both on small boutique labels. A split CD-R with Whyte Lytening released on Bedroom Suck Records and a cassette tape released on Totem Tapes, a cassette label based in Melbourne. They also had a song included on a recent volume of the New Weird Australia mixtape, released in March.

Caught Ship has played shows with A Dead Forest Index, Sharpie Crows, Paint Your Golden Face and TANTRUMS and come highly recommended by our friends in Melbourne.

Caught Ship- BlackHoleSlashSweetBeat: MP3

Caught Ship- Myspace

 

Posted by Nick Fulton under Australia, Melbourne
[4] Comments

Megastick Fanfare interview

Wed 3 Mar 2010

Wiggly Youth

 

Sydney band Megastick Fanfare has been playing away ‘not so quietly’ up and down the East Coast of Australia for a few years now and they’re ready to grab your attention with their first official release. The five guys started playing together in high school where they played Of Montreal and Belle & Sebastian covers; but things really got going in early 2008 when they entered a university band competition in Sydney. For that, original material was required, and they’ve been writing and gigging ever since.

Musically, all five members share a love for bands like Grizzly Bear and Animal Collective. It’s evident where the melody meets the freak-psychedelia; wiggly synth and analog lines fly all over the place and get carried along on drifty loop-scapes. Add in each members’ personal tastes, different elements of your favourite blog-scure bands, and combine it with a supportive and inspirational local music scene. Guitarist/vocalist/tape loopsman Danny Keig says, “The Sydney music scene is great at the moment. There are heaps of really special bands that we love and respect and want to collaborate with. Bands like Seekae, Ghoul, Bearhug, Danimals and Kyü. Everyone just wants to support each other.”

The band has been recording their debut album for the past six months, and as a taster has released the track ‘Brain Tooth’ on 7″ vinyl. The recording process has been drawn out by an abundance of ideas, with all five members tinkering and playing around. “When recording, I think that we tend to include older ideas and new ideas in a song and it definitely makes you consider what the essential sounds are. That is exactly where we are up to now with our recording, going through the sessions, picking and choosing. It’s a difficult but satisfying process”

“Sometimes they are semi-improvised but I think we feel that it’s better to start the show as strong as possible and sometimes improvisation doesn’t quite cut it.”

Practice is a similar brainstorm, with sounds flying and input from all directions. “It’s safe to say that all our songs come from jams. Sometimes we will start with absolutely nothing and other times someone will bring a small idea. The idea usually changes considerably when we all start to contribute. It morphs into something else. I don’t think we would ever just accept an idea as it comes. By the time we have all had input it’s often something very different.”

True to their name, the band starts each set with an original piece of fanfare. “The name was a joke suggestion by our friend, which we slightly altered. The megastick doesn’t refer to anything, but the fanfare has turned out to be a large part of the band. The name came
first, then the fanfare, then the realisation that there is a piece of music called ‘Majestic Fanfare’. Weird.” Not just a gimmick, it opens the set with a declaration. “We tend to work on fanfares a lot when we can. Sometimes they are semi-improvised but I think we feel that it’s better to start the show as strong as possible and sometimes improvisation doesn’t quite cut it.” On stage there’s a whole mash of equipment. “It’s always a challenge to fit,” drums, guitars, bass, keyboards and synthesizers, digital loops and tape loops, samplers and lots of additional percussion. “Two of us sing and do our own vocal effects.”

After all the work and live performances you can expect their debut album sometime soon; a representation of all the ideas and experimentation they’ve been playing with.

Megastick Fanfare- Brain Tooth: MP3

Megastick Fanfare- Myspace

 

Posted by Nick Fulton under Australia, Sydney
No Comments

Eeling

Fri 26 Feb 2010

Pistol Grip Prodigy

eeling.jpg

This is what happens when three of New Zealand’s best bands move to Melbourne. Street Chant‘s Alex Brown, Sharpie Crows‘ Casey Latimer and Damsels‘ Adam Fulton have joined forces to create a hellishly exciting new band named Eeling. The trio shred, scream and pound their instruments into a furious ball of noise, creating a wickedly brutal sound reciprocating bands like Holy Molar, Head Wound City and their Three One G brothers, plus bands like Aids Wolf and Athletic Automation from the Skin Graft Records label. Local fans might find them similar to TFF or one of Casey’s former bands, Girls Pissing On Girls Pissing On Girls Pissing. Check out this track they sent me, it’s called ‘Raetihi’.

Eeling- Raetihi: MP3

Eeling- Myspace

 

Posted by Nick Fulton under Australia, Melbourne
1 Comment

A Dead Forest Index: new single

Tue 22 Dec 2009

Echo My Unborn Children’s Voices

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In August 2009, brothers Adam and Sam Sherry returned home to record their debut album (out in early 2010) at Auckland’s York St Studios with their friend and engineer Simon Gooding (Over The Atlantic, 7 Worlds Collide). The brothers, who once called Auckland home moved overseas in their late teens. Sam moved to the UK and Adam travelled throughout Europe, following around one of his musical heroes, a Romanian gypsy band named Taraf de Haidouks. They both now live in Melbourne, Australia.

‘Anchoring The Hands’ is the duo’s first single and comes after their entrancing first EP Empty And Dark I Shall Raise My Lantern, that introduced fans to their unique blend of chemically infused vocal loops, dark minimalist drum beats and sparse, audacious guitar chords. The song perfectly displays a complete cross section of their musical collection, and brings together different elements of their vast song writing structure. They are at one time a chugging indie pop band; at another turn they blend Gothic rhythms and Eastern European symphonies; and around another corner they are a beautifully disciplined vocal group. Where some of A Dead Forest Index’s other songs focus on just one of those elements, ‘Anchoring The Hands’ contains them all.

A Dead Forest Index recently completed a month long reservation at Melbourne music venue The Workers Club, where they gained some rave reviews for their unique use of vocal loops and haunting harmonies. In January they are heading to New Zealand to play at the Campus A Low Hum festival and a show at Auckland’s Wine Cellar.

A Dead Forest Index in New Zealand

January 23,24,25- Campus A Low Hum Festival, Bulls

January 27- The Wine Cellar, Auckland (with Dear Time’s Waste)

 A Dead Forest Index- Anchoring The Hands: MP3

 A Dead Forest Index- Myspace

 Buy A Dead Forest Index’s EP Empty And Dark I Shall Raise My Lantern

 

Posted by Nick Fulton under Australia, Melbourne
[3] Comments

Summer Cats

Wed 16 Dec 2009

Melbourne Cats

summer-cats.jpg

The debut album from Melbourne five-piece Summer Cats thanks, among others, pop kids everywhere. For said kids, swooning to the legacy of C-86 bands, Songs for Tuesday is a wonderful treat. Taking cues from the last 25 years of underground pop music, Summer Cats know that having FUN is the best way to make music. Sweet boy/girl vocals, fuzzed out guitar and upbeat rhythms combine the likes of Talulah Gosh, Stereolab, The Chills, and Spiderbait in to a giddy thrill and could soundtrack countless bedroom dance parties.

Summer Cats’ songs are short, effortlessly poppy, and mainly concern issues of the heart. ‘Maybe Pile’ deals with indecisiveness in love; ‘Christopher Wren’ is a witty love note about architect Christopher Wren. Plus, gorgeous organ tones fill many of the tracks. Songs for Tuesday is the band’s first full length and is out on High Spot in Australia and on Slumberland Records in the States. They’ve also released a bunch of singles on super cute labels like Miami’s Cloudberry Records, and London’s WeePOP! A little over three years old, the two girl/three guy group recently toured the West Coast of the US with The Tartans.

Their Myspace background is the same pastiche as the album cover and also features a charming, long running, blog series titled Cat Years.

Summer Cats- Burnt Toast: MP3

Summer Cats- In June: MP3

 Summer Cats- Myspace

 

Posted by Nick Fulton under Australia
1 Comment

The Brunettes: new album & NZ tour

Thu 15 Oct 2009

They’re back!

The Brunettes Paper Dolls cover

Just announced today is the return of The Brunettes to New Zealand for a tour with Australian alternative pop singer Sarah Blasko in celebration of the release of their new album Paper Dolls. Blasko is a surprising but perfect choice, her sweet, honeyed voice and unique songs are very impressive. This will be Blasko’s first visit to New Zealand, and she’ll play all four dates with The Brunettes in Christchurch, Wellington, Auckland and Leigh (tickets are available from Under The Radar and the venues). Paper Dolls is released on October 26 and will apparently have drum machines and “an intimidatingly wide array of synths”.

Thursday 5th November at Al’s Bar, Christchurch

Friday 6th November at San Francisco Bath House, Wellington, with The Family Cactus

Saturday 7th November at Kings Arms, Auckland, with Cool Rainbows

Sunday 8th November at Leigh Sawmill Cafe, Leigh, with Cool Rainbows

The Brunettes- Red Rollerskates: MP3

Sarah Blasko- We Won’t Run: MP3

The Brunettes- Myspace

Sarah Blasko- Myspace

 

Posted by Sarah Gooding under Auckland, Australia, New Zealand
[4] Comments

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