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Run DMT

Tue 16 Nov 2010

Hyphenated Rainbow


I heard this wonderfully chilled out song with vaguely surfy guitar, slow stomping reggae bass and dorky off kilter harmonies at a house party on the weekend and it really stood out. I found out it was Run DMT’s song ‘Spruce Bringsteen’ which I’d heard a while back and really liked, and subsequently the Baltimore musician, real name Mike Collins, has been on my list of ‘bands to blog’ ever since. Now that the sun is shining bright and the days are still and tranquil there seems nothing more poignant than this kind of music, with its lightly fractured and distorted samples, lazy echoing harmonies and cascading guitar chords. A couple of songs released in January relay this vibe perfectly, ‘Feel Flows’ and ‘Disaster Babe’ are soaked in sea foam and trickled with synth melodies. The Decibel Tolls brilliantly describes the eclecticism of Collins’ music, saying it “mirrors the kind of ecstatic rush you can get just following YouTube and Mediafire links”. ‘Richard’ is another example of Run DMT’s perfected lo-fi bliss in its hazy, relaxed melodies, while ‘Money’ collages segments from the Home Shopping Network atop dreamy, washy acoustic guitar with crackling accordion. While some of his songs can tend to particularly droney, abstract territories, ‘Spruce Bringsteen’ is definitely Run DMT’s poppiest song to date. Collins also makes incredible visual collages, and has made available two releases for free on myspace: the 21 minute single track Get Ripped Or Die Trying and the 15 track Bong Voyage. Run DMT’s ability to blend straight forward pop songs with manic hypnotics the likes of Javelin (‘Let It Load’) and contrasting quieter moments makes for an exciting ride.

Run DMT- Spruce Bringsteen: MP3

Run DMT- Feel Flows: MP3

Run DMT- Disaster Babe: MP3

Run DMT- Myspace

Run DMT- Blog

 

Posted by Sarah Gooding under Baltimore, Maryland, U.S.A
No Comments

Weekends

Mon 23 Aug 2010

Do The Rain Dance

 Weekends

If you just wanna rock out in the most unashamed way possible – screaming guitar riffs, pulsing drums and howling ambiguous vocals that turn to shrieks of joy – then Baltimore noise rock duo Weekends is for you. Brendan Sullivan and Adam Lempel formed the band in 2008 while both students (studying sculpture and philosophy respectively), and each take turns playing guitar and drums. Adam also helps out in Winks and Brendan makes solo noise folk music, but they make an absurdly big noise in Weekends. ‘Rain Girls’ is an epic riff-out that revolves around menacing drums and heavily effected guitar, playing a simple but raucous jam designed to inspire victory dances. The vocals take a more droney approach that eventually drags the song into a watery slumber, but it’s not without chaos. They inspire dance grooves with their staccato guitars and almost !!! intensity in ‘Roommate’; it would be a challenging listen if it wasn’t so fun. Their noisy drone wash over everything casts spells and wreaks havoc. The band made their first album available for free download, and they released a split cassette with Total Slacker on Breakfast of Champs. Pre-order their second album, Strange Cultures, which was mixed and mastered by Rob Girardi (Beach House, Double Dagger, Celebration) from Friends Records.

Weekends- Rain Girls: MP3

Weekends- Psychedelic Mice: MP3

Weekends- Myspace

Photo by RaRah

 

Posted by Sarah Gooding under Baltimore, Maryland, U.S.A
No Comments

Raindeer

Sat 21 Aug 2010

Diminished Pitch

raindeer.jpg

Raindeer’s self-titled, debut EP could well be the best pop record of the year, and it’s made by a little known band based in Baltimore, USA.  Their synth explosions hit all the right notes and their drugged out guitar lines bubble just below the surface waiting to be transported to a world of weed-loving geeks and daisy hugging cyborgs. MGMT’s pop influence is all over it, but its infusion is met with resistance, far removed from psychedelic hippy wasters to roam among foraging technophiles. Mixing cheesiness with loads of catchy hooks in this case releases a rather enticing melody. The vocals are wrapped in 1960′s hypnosis, recalling the sound of Manfred Mann, Nirvana and The Zombies while the instrumental arrangements are dead modern, dripping with references to MGMT (‘Dark Place’), Irish psychedelic folk band Hal (‘Juanita’) and Neon Indian (‘Green Light’). It’s a reminder that pop music is designed to be carefree, unaware of its surroundings and blinded by reality.

If you want to hear more you can download Raindeer’s entire EP for free.

 Raindeer- Dark Place: MP3

 Raindeer- Social Networking: MP3

 Raindeer- Myspace

 

Posted by Nick Fulton under Baltimore, U.S.A
No Comments

Winks

Tue 13 Jul 2010

 Weed Makes Sex Weird

 winks.jpg

Iron ships caught in the current off Cape St Claire. Merciless mermaids howling through the mist, boarding boats like pirates and scattering scales all over their rusty decks. Winks’ music sounds like the sea; waves of salty rhythms and bounty-like guitars lined with homoerotic sailors and laced with the sound of weed smoked through a wooden pipe. Yes it’s chillwave; all swirly guitar parts and dreamy melodies, but it’s delivered with a much darker sound, more echo-y and precise. The man behind the oceanic pop music is Chase Lampel, an unfashionable stoner from Baltimore. His debut self-released album is available for free download via Environmental Aesthetics.

Winks- Gold Mine: MP3

Winks- Mysapce

 

Posted by Nick Fulton under Baltimore, U.S.A
No Comments

EAR PWR interview

Wed 30 Sep 2009

Discover Another World

EAR PWR

EAR PWR creates the kind of cyber disco dance music that every school prom wishes it had. Self-assured and sassy as hell, Devin Booze and Sarah Reynolds revel in ridiculousness and unabashed fun, their every song a highly refined gem – and they’ve only been making music together for three years.

Super Animal Brothers III is the most fun sounding album ever put to celluloid. It’s also Baltimore – by way of North Carolina – band EAR PWR’s latest release. A dizzying array of synths colliding at full speed in a glitzy glammed-up disco are iced with Sarah’s childlike sing-song voice full of wonder, plays with Devin’s non-stop dancing synths. Her raps cast rainbows over Devin’s gloriously hedonistic Barbie rave workouts.

Another voice for the generation of kids raised on the internet, EAR PWR reclaims the right to redefine electro, disco, hip hop and everything in between in today’s world of mutating sub-genres.

The couple behind the music met in a wonderfully nonchalant way in 2005, Sarah explains. “Devin’s high school band, Hide and Seek, played in the street one evening near my apartment. I wandered down and was instantly a huge fan. Devin was the drummer and I thought that he was really sexy. I eventually got up the courage to talk to him and we started dating not too long after that.”

It would be a year before they started the band. “After we started dating I moved to Italy for a year and Devin’s band broke up during that time period. He started making a lot of electronic music while I was gone and when I came back I wrote lyrics to his songs. We started performing soon after.”

They named the collaboration after some labels on a “decrepit tape player” they took with them on one of their first hang outs – a bike ride. Devin says of the ceremonious occasion, “After our ride we were examining the artefact and noticed that above the headphone jack was the word ‘ear’ and above the power input was the abbreviation ‘pwr’. We decided that would be a pretty decent name for a band.” And thus, EAR PWR was born.

EAR PWR

Sarah and Devin were both studying before starting the band, and have since graduated; Sarah with a degree in studio art and Devin, also a concert tuba player and drummer, earned a degree from the Bob Moog-founded music technology program at UNC Asheville, North Carolina’s public liberal arts school. It was there that he learned to create the synths he uses to give EAR PWR its individual sound.

The band is now the couple’s full-time focus. Breaking any notions of boundaries between genres, they successfully fuse intergalactic electronica with blazed R&B (‘Boys II Volcanoes’), trippy psychedelia (‘Goofy Award’) and hyper happy disco pop (‘Future Eyes’) with Peter Pan paeans.

“We’ve received lots of hate mail wishing death upon us. One said they would only buy our album if it was the sound of all of us burning to death.” – Sarah Reynolds

“We’re both inspired by nostalgia and childhood memories,” Devin says. “We’re also inspired by each other and love. Our songs are often full of inside jokes that only we understand. It’s like a secret language.” Sarah describes EAR PWR as “Purikura for your ears”, Purikura being the Japanese phenomenon of photo booth-produced kitsch animation stickers.

Using a synthesizer, sampler, test oscillator, megaphone and various vocal effects, they produce this collage of kitsch, out-of-this-world techno electro. “It usually starts with a catchy melody or a certain sound that I want to create and just builds from there,” explains Devin.

Sarah adds, “I sometimes come up with small parts in the music and I always write the lyrics.” Her artful, imaginative and humorous words are integral to the attraction of EAR PWR. “I usually come up with an idea or concept that makes me laugh or that is intriguing and I write what immediately comes to mind.”

EAR PWR

The immediacy is apparent in the fast blitzes of their songs. The album moves from idea to idea fast and is crammed full of dance floor-ready, chart-threatening pop. Except we all know this is something that won’t dominate the airwaves, and there is a certain beauty to that offbeat weirdness inherent in the music and the artists behind it.

They’re not your ordinary pop-makers: Devin is lofty and buzzing with a fluffy fro, Sarah super cute and petite with her shock of short blonde hair, Where’s Wally glasses and kooky, colourful outfits. They cut a striking image, one that’s immortal just like their music. Obviously EAR PWR isn’t borne out of anything but imagination, fun and love, which is precisely why they’re so appealing.

“We’re both inspired by nostalgia and childhood memories. We’re also inspired by each other and love. Our songs are often full of inside jokes that only we understand. It’s like a secret language.” – Devin Booze

The couple moved to Baltimore in April and has found its internationally-lauded music scene “pretty diverse”. The area has spawned several successful acts including Beach House, Future Islands, Ponytail and Dan Deacon, and has proved somewhat fruitful for inspiration and kinship. “There are a lot of good rappers here,” says Devin. “There’s also a symphony orchestra. You can’t beat that.”

EAR PWR’s music attracts a noticeably niche audience. “We have quite a few haters,” Sarah says. “We’ve received lots of hate mail wishing death upon us. One said they would only buy our album if it was the sound of all of us burning to death. But, without hate there can’t be love, so we’re not too bothered by it.”

EAR PWR

Their crazy live shows are testament to their energy and devotion to the band. Devin says, “We try get as wild and crazy as possible. If the audience wants to dance and get insane with us we love it! But if they just wanna observe the madness, that’s okay with us too.”

Sarah recounts a particularly memorable show in New Orleans, “After we played we met a crazy crack head, he called himself Peter Pan. He gave us a ‘fine silk shirt’ which was really a basketball jersey and he also gave us some vitamins.”

Whatever the gig or the crackhead, the future looks bright for the re-creators of pop. They’re “working on an EP entitled Adult Emotions,” Devin says, and it will be “quite a bit different” from Super Animal Brothers III. “It’s going to be slower and definitely sexier.”

EAR PWR- Super Animal Brothers III: MP3

EAR PWR- Future Eyes: MP3

EAR PWR- Myspace

EAR PWR- Website

 

Posted by Sarah Gooding under Baltimore, North Carolina, U.S.A
1 Comment

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