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The Cool Kids: new mixtape

Sat 5 Jun 2010

Haulin’ Up Bass

cool-kids.jpg

After weeks of tweeting about their summer mixtape The Cool Kids have finally flipped it. Their latest 15-track comp was produced by Chuck Inglish and DJ sourMILK and was released in conjunction with Los Angeles Leakers. Titled Tacklebox, they’ve kept to the fishing theme; their last mixtape was called Gone Fishing and there is several fishing references on The Bake Sale EP, released in 2008.

Tacklebox is stripped back to the bare basics, with a beat, a rhyme and the odd backing vocal thrown in to spice it up. It’s sparse in places and focuses heavily on the vocal delivery of Mikey Rock and Inglish. Raekwon is among the guests but unlike other star studded sessions this is all about The Cool Kids. The duo has always been street-level rappers and they again touch on the simplicity of life, referencing objects and people in a way to make them visible and real. There are lessons about life and shout outs to the LA Lakers; the universe they create is inspirational and realistic. Tacklebox doesn’t have the bouncy adolescent beats of their previous releases, but it fits into a different category. It’s hip-hop brought back to its roots, using simple keyboard riffs and old-school drum beats. In the past they’ve shouted out their beats in a repetitive rhyming pattern but here the beats are all machine made. It’s not quite my favourite hip-hop release of the year, that title still belongs to Pac Div, but fact remains that The Cool Kids are one of the most underrated hip-hop acts around. Download and indulge.

The Cool Kids- Strawberry Girl: MP3

The Cool Kids- Great Outdoors: MP3

The Cool Kids- Tacklebox Mixtape

 

Posted by Nick Fulton under Chicago, Illinois, U.S.A
No Comments

Pit er Pat

Mon 28 Dec 2009

Down The Rabbit Hole

Pit Er Pat

With the dizzying array of experimental artists demanding our attention it takes a lot for a band to stand out these days. Chicago’s Pit er Pat is one I’ve taken a shine to late in their career but I’m glad I have nevertheless. Their high, squeaky vocals bring to mind Blonde Redhead (in their song ‘The Cairo Shuffle’ from 2008’s High Time) and Gang Gang Dance in their rambling cacophanous euphoria (heard in ‘Godspot’, to be released next year, also 2008’s ‘Evacuation Days’). Their fun, whimsical take on experimental music leads to gallivanting through genres, leaving them unsurpassed in jittery energy and surplus with ideas. Mind-boggling formulas of jazz and alternative pop fuse together in a Stereo Total-meets-Alice In Wonderland kind of way. An institutional group on the avant-guard scene since 2004, they’ve released five albums and three EPs since their inception, and are currently a two-piece after the departure of bassist Rob Doran (formerly of Alkaline Trio), consisting now of founding members Fay Davis-Jeffers on keyboard/samples and vocals and Butchy Fuego on drums. Fuego is also a high profile solo artist, producing his own material as well as drumming live/on record with Boredoms, Lucky Dragons and Matteah Baim among others, as well as doing production for Pit er Pat, Rainbow Arabia, These Are Powers and more. Pit er Pat has a new album, The Flexible Entertainer, slated for release on Thrill Jockey on January 26.

Pit er Pat- Omen: MP3

Pit er Pat- Myspace

 

Posted by Sarah Gooding under Chicago, U.S.A
No Comments

Casiotone For The Painfully Alone interview

Thu 24 Sep 2009

Searching For The Perfect Abalone Fritter

casiotone.jpg

Owen Ashworth is returning to New Zealand this November to play four shows. He’ll be joined on tour by his brother Gordon and together they will spend a week exploring the country, searching for memories from their childhood and sampling New Zealand’s fine array of seafood.

The last time Ashworth traveled down to New Zealand was in 2006, but on that occasion it was a very short visit. This time however, he has a bit more time to engage himself in the country’s culture and he’s genuinely excited about it. “I’m looking forward to a slightly longer stay this time,” he says, “maybe see a few more cities and I have a little time off in Wellington, which will be really nice.”

Talking about New Zealand triggers a sense of nostalgia. Despite his last trip being very brief, Owen has fond memories of his day and a half in Wellington. “One thing I remember about Wellington that was really exciting was that I had abalone, which I guess is also known as Paua, for the first time since I was a kid. When I was really young my dad used to dive for abalone with some friends. We had it a lot when I was young but it’s definitely a scarcity and kind of a delicacy where I’m from. I have memories of having an abalone fritter after probably twenty years, that was probably the last time I had it, so it will be really good to taste that again.”

On his search for the perfect abalone fritter, he will this time pay a visit to New Zealand’s South Island, playing shows in both Christchurch and Dunedin, as well playing shows in Auckland and Wellington. He will be supported at all four shows by his brother Gordon, who goes by the alias Concern. Gordon will play his own set before Owen takes the stage as the headline act, but fans may get a rare opportunity to see them perform together. Owen admits, “If we can get it together, I’d love to have Gordon play some lap steel on a few songs.”

The brothers have only ever collaborated momentarily in the past, most notably covering versions of Bruce Springsteen’s ‘Born In The USA’ and ‘Streets of Philadelphia’, both of which appear on Casiotone For The Painfully Alone’s recent singles and rarities compilation Advance Base Battery Life. However Owen says “he (Gordon) did play in a full band version of Casiotone soon after Vs Children was released, so he knows most of those songs inside and out by now.”

“I would love to work on more projects with him, and we’ve certainly talked about it plenty of times. We live in different cities though and generally we both keep pretty busy with our own stuff. I’m grateful that we can make the time to tour together.”

The last year has been especially busy for Owen Ashworth. So far in 2009 he has released two full length albums, Advance Base Battery Life and Vs Children. The first, ABBL, is a compilation of previously released singles as well a few rarities that Owen had kept to himself. The compilation had been planned quite some time ago, but due to complications, dealing with the ten different record labels that had originally released the singles, it was delayed.

“About half way through the recording of those (singles) I realised that at some point I’d probably want to collect those and I started putting a track listing together in my head and recorded a few songs I guess with the greater compilation in mind.”

“There are some covers and yeah there are some collaborations with other artists. Two songs were recorded with Concern… I recorded a few songs with Katy Davidson from Dear Nora and my friend Nick Krgovich who is in No Kids.”

“I grew up with a lot of country music and soul music and that’s not music I necessarily think of as melodramatic but it’s music that I find totally believable.”

Vs Children is collectively recognised as the follow-up to Ashworth’s fourth album Etiquette, which in 2006 spiraled Casiotone For The Painfully Alone into the eyes and ears of the wider indie music fraternity. Lauded for its deep, emotionally sensitive lyrics and its simple keyboard melodies, Etiquette gave birth to a new style of emotional pop.

Critics frequently referenced Ashworths’ emotional vulnerability, calling him everything from manic-depressive to melodramatic, pigeon holing him into a strange corner. “I try not to think about it too much, I think paying attention to criticism has quite an influence on the way you make music,” he says.

“I don’t know, I try as much as I can to keep my head down and write the kind of music I think I would want to listen to. And yeah, I think a lot of the stuff that influences me to be described as morbid or emotional or whatever, I don’t know, I grew up with a lot of country music and soul music and that’s not music I necessarily think of as melodramatic but it’s music that I find totally believable, people like Otis Redding, O.V. Wright, Sam Cooke and Al Green. All the fun music doesn’t sound like that, but I feel like that’s the kind of emotional consciousness that I find really inspiring in music.”

“I’ve always liked music that’s really sincere and personal, it feels like there’s some vulnerability in the music. I feel that’s definitely something I strive for.”

Owen admits to feeling a little more positive about Vs Children. Explaining how the new album differs from Etiquette, he says, “I was conscious that I wanted to make a record with a bit more continuity than Etiquette had. Etiquette was kind of all over the place, which was exciting at the time and I really wanted to collaborate with different people and get a lot of different sounds and just sort of explore the idea of what Casiotone For The Painfully Alone could be. But Vs Children is a little bit more focused, I definitely wanted to have a more uniformed sound to the record… I just wanted to make something that felt like an album, I spent a lot of time with the lyrics in particular.”

With his confidence in good spirits and with Concern at his side, New Zealand fans can expect to hear the majority of Vs Children played out live. And as a lovely gesture, Owen has kindly offered to take personal requests, adding “if there’s something special that someone would like to hear they can email me.”

Owen Ashworth has kindly given New Zealand fans the opportunity to email him personal song requests. If you have a special Casiotone For The Painfully Alone song you would like to hear live, you can email Owen at casiotonetechsupport@gmail.com and he might play it for you at the show

Casiotone For The Painfully Alone- Hot Boyz (feat. Dear Nora): MP3

Casiotone For The Painfully Alone- Natural Light: MP3

 Casiotone For The Painfully Alone- Myspace

Live in New Zealand

Tuesday, November 17: Chicks Hotel, Dunedin

Thursday, November 19: Al’s Bar, Christchurch

Friday, November 20: Cassette #9, Auckland

Saturday, November 21: San Francisco Bathhouse, Wellington

 

Posted by Nick Fulton under Chicago, U.S.A
No Comments

SALEM: Frost 7″ & new video

Thu 24 Sep 2009

 Casual Encounter of the
Terrifying Kind

SALEM

Creepy Chicago band SALEM released their limited edition ‘Frost’ 7″ single b/w ‘Legend’ yesterday on Audraglint. Heather voices the eerie ‘Frost’, which is decidedly more chilled out, ethereal pop that’s almost cozy compared to the scary shotgun rounds of b-side ‘Legend’, in which John coos like a deranged baby. Somehow the duo manages to make some of the scariest music I’ve ever heard, recalling the final scenes of The Virgin Suicides.

The latest in a string of scary music videos for the band is the monoxide poisoning video for Yes, I Smoke Crack EP’s ‘Dirt’. A terrifying ordeal of asphyxiation, the swirling smoke and ghostly images in the clip suit SALEM to a tee. Directed as usual by the band, this, like all the rest, reminds me of a typically fucked up David Lynch film.

SALEM- Frost: MP3

SALEM- Myspace

SALEM- Website

SALEM- Frost 7″

 

Posted by Sarah Gooding under Chicago, Illinois, U.S.A
1 Comment

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