• Home |
  • About |
  • Contact |
  • Photo Gallery |
  • Reviews

Rare Grooves

Wed 10 Mar 2010

Twominutemen

rare-grooves.jpg

Disappointment struck me yesterday when I read that one of my favourite bands of 2009 had split. But the bad news was quickly overcome when I learnt that The Widow Babies had just downscaled and changed their name to Rare Grooves, with guitarist Danny Millar and drummer Tabor Allen continuing to work together. They’ve also managed to draft legendary Minutemen bassist Mike Watt into the fold, to hit the strings on their first official release, due out in late March.

When I interviewed Danny last year he spoke openly of his friendship with Tabor, and briefly mentioned that before forming The Widow Babies he and Tabor had been in other bands together. “Tabor, Elise McCuthchen (The Widow Babies’ vocalist) and I all met at our high school in Santa Ana, Orange County. Tabor and I met in PE class and we had a mutual love for Led Zeppelin and Marilyn Manson so we really hit it off. We played in bands for a couple of years together and then Tabor started dating Elise so we started a side project called The Widow Babies.” The “side project” later became their main project.

No explanation has been given for the split, but a statement on the band’s myspace confirms, “we are very sad to announce that The Widow Babies have broken up.”

Danny and Tabor have wasted no time getting Rare Grooves off the ground. Yesterday they unveiled their first offering, a limited edition 7″ vinyl containing the songs ‘Cause For Concern’ and ‘No Garden’. Both songs were recorded with Mike Watt playing bass guitar, a dream come true for the pair whose first Widow Babies release was a homage to their hero, titled The Mike Watt EP. The songs were produced by Chris Schlarb, who produced both The Mike Watt EP and The Widow Babies’ full length album Jetpacks.

As could be somewhat expected, Rare Grooves sound reasonably similar to The Widow Babies, especially with Danny’s signature guitar playing remaining the main focus of the band. However both songs have a much more chilled out vibe, with less punk rock elements and more California surf, teetering on the edge between chillwave and post-punk but not really bowing to either genre. They meander and glide rather than chug and twist, adopting more of a natural flow that is less spastic and has a much simpler song structure.

You can pre-order Rare Grooves’ debut 7″ via Sounds Are Active for a special pre-sale price of $3.99 (US). It will be officially released towards the end of March.

Rare Grooves- Cause For Concern: MP3

Rare Grooves- Myspace

 

Posted by Nick Fulton under California, Los Angeles, U.S.A
No Comments

Nicole Kidman

Mon 8 Mar 2010

My Leaves Are Shaking

Nicole Kidman

Mixing Casiotone For The Painfully Alone’s sincerity and speedy drum machine beats with Moldy Peaches’ ramshackle insecurity and Daniel Johnston’s wavering tone of despair, California’s Jon Barba, AKA Nicole Kidman, makes cautiously heart-on-sleeve, scratchy pop music. ‘Thirst For God’ is a speedy attack aiming straight for the heart, and ‘Obsessed’ could have been plucked straight from Johnston’s catalog; its traditional structure with wobbling, soul-crushing lyrics overtake the crunchy guitar at the very last moment. ‘Tyrone’, written and produced with Kevin Greenspon, will stick in your head for days with its short and simple chorus hook. Barba knows a thing or two about simple, succinct pop songs. ‘Miley Is Awesome’ epitomises the girl-crushing guitar-strumming approach and shows Barba’s true talents as a songwriter. Playing regular gigs in LA’s cultural melting pot with the likes of Foot Village and Former Ghosts, Barba has a CD-R and a 7″ pending to add to his collection of cassettes and CDs released on Greenspon’s label Bridgetown Records.

Nicole Kidman- Thirst For God: MP3

Nicole Kidman & Kevin Greenspon- Tyrone: MP3

Nicole Kidman- Myspace

 

Posted by Sarah Gooding under California, Los Angeles, U.S.A
No Comments

The Living Sisters

Wed 17 Feb 2010

How Lavender Grows

 the-living-sisters.gif

In just a few weeks time people will again to be talking about She & Him. The folksy pop duo of Zoe Deschanel and M. Ward is releasing their sophomore album titled Volume Two; in stores March 23. With the success of their first album (Volume One) and with Deschanel’s recent status as a hipster pin-up girl, hype surrounding the album is going to be pretty hard to miss. The first single from Volume Two was made available on January 23 and it’s very pretty, with Deschanel’s lacy twang and Ward’s nodding guitar giving it plenty of vibrant energy.

She & Him- In The Sun: MP3

But while you wait for Volume Two take a listen to The Living Sisters. Trio Becky Stark, Inara George and Eleni Mandell push beautifully pleasing harmonies and bewitching melodies, creating a wonderful fusion of jazz, French pop, folk and country music. They’ve come together after performing solo and in other notable groups throughout the past decade and the result is remarkably rich, alluringly textured with fetching female harmonies and candid carnivalesque instrumentation. Like a fine red wine they’ve aged and blossomed with exquisite beauty.

George is possibly the most well-known sister, being one half of the pop group The Bird and The Bee where she performs alongside Van Dyke Parks. She was also a founding member of the alternative pop group Merrick and has released two solo albums under her own name. Mandell has released seven albums worth of solo material and in 2003 was awarded the LA Weekly’s best songwriter prize, sharing it with Eliot Smith. Stark is a member of LA folk group Lavender Diamond and she recently sang on The Decemberists’ 2009 concept album The Hazards Of Love, playing the role of Margaret. 

The Living Sisters’ debut album titled Love To Live will be released on March 30.

 The Living Sisters- Double Knots: MP3

 The Living Sisters- Myspace

 

Posted by Nick Fulton under California, Los Angeles, U.S.A
No Comments

HEALTH interview

Mon 15 Feb 2010

Accessible:Noise

health.jpg

When HEALTH released their debut album in 2007 it had a polarising effect on the most eclectic areas of the world’s music community. The little known band from Los Angeles quickly became recognised as a band pushing the boundaries, twisting and combining unconventional noise rock elements and making music that was so unique that it seemed almost incomprehensible.

However, long before their first album was released HEALTH were doing things their own way; a fact that was later recognised by recording their debut album during off-license hours at LA venue The Smell. The band has a strong connection to their early nurturing and still remains strongly attached to the culture that helped them develop and grow as a young band. John Famiglietti, the band’s bassist, speaks very fluidly of the time and situation, explaining, “Way before the first record came out we were DIY touring all across the states playing shows, so we’ve always been pretty close to that culture.”

Even after the first record came out HEALTH’s impact was only felt within a small niche market, but it was those fans that helped the band deliver a clear message, that HEALTH was a band with few restrictions and guidelines to which they structured their music. It wasn’t until Crystal Castles released a popular remix of the HEALTH song ‘Crimewave’ that the band started to gain traction with a wider musical audience.

Speaking about opportunities to expand their fan base and become more widely known, HEALTH was generally not a band that got offered good support slots. On the topic, John says “when we were a young band we actually didn’t have those opportunities really. We sorted out DIY shows and then we did tour after tour after tour headlining before anyone really knew our name and I guess the first big support tour where we really started to break through was with the Crystal Castles tour we did.” They later went on to tour with Nine Inch Nails which was slightly less successful, although John says “we had a lot of fun doing it.”

The Crystal Castles remix actually appeared on HEALTH’s own record, titled HEALTH//DISCO. After releasing their debut album the band became heavily entranced with dance music and decided to release a remix album. John remembers “when we did HEALTH//DISCO we were really obsessed with bloghouse and the explosion of all that type of music. It was a really exciting time, we were just glued.” And the blogs later embraced HEALTH’s disco album, as well as originals from their first album. “We were extremely, extremely grateful for that. The entire reason we did remixes was for the blogs; we just wanted to be active in that world.”

“I think that’s pretty much what separates us from most other bands of that ilk, is that we’re always thinking of the fans”

Going back to making original music, in 2009 HEALTH released their second album. Titled Get Color, it had a much stronger dance element than their first record, perhaps reflecting the unusual situation of following on from a remix album. Before Get Color was released the band had expressed concern that some fans might find the record a little too mainstream, but as John explains, it wasn’t the case at all.

“I think the reaction was really good and surprisingly drove a lot of people who I thought were die hards, or you know, liked our first album better, which of course some do, but they definitely weren’t disappointed and they definitely don’t feel betrayed and they basically enjoy all the different things that we do, you know, they’re pretty open-minded people.”

HEALTH has always had a very strong connection with their fans, and where some noise bands can get a little self-indulgent, making music that’s often almost inaccessible to the human ear, HEALTH is very conscious of making music that can be enjoyed. “I think that’s pretty much what separates us from most other bands of that ilk, is that we’re always thinking of the fans,” expresses John. “You want it to be gratifying, edit and reign in all kinds of those dark desires because you try and be listenable and you want it to effect someone emotionally.”

Satisfying their loyal fans was also a defining reason behind why they have decided to do a second disco album, remixing the songs on Get Color. They tried not to make Get Color overtly dancey knowing that the following remix album would hopefully embrace that section of their audience. Combined with a general love of dance music, it seemed like an obvious choice to continue the remix theme.

“We’re always listening to a lot of dance music and stuff like that. That’s the reason why we did and we’re going to have a disco two. We want to sort of continue that thing we’ve got going.”

“definitely some people have come back from the HEALTH//DISCO album and there’s a lot of new people”

“We see ourselves as a rock band, but yeah, what we’re trying to do is not of a new genre but our own view is that we want to be as detached and forward-thinking as some other genres that are doing things electronically.”

The band is now working on the new remix album, but New Zealand fans will be especially excited to know that the band already has new material, which may be played live. “We’ve got new HEALTH material now but we’re also working on the remix album. It’s really difficult to sort of get a theme going with so many different remixes and it’s really difficult to get a lot of really great remixes in a row. We’re in this very strange position of having to follow up a remix album that we really want to deliver on. So we’re really working hard to try and get a good sequence and a good vibe going on the record.”

John is unable to confirm any artists who have submitted remixes, but it was only due to the fact that the track listing is not confirmed. He did however add that “definitely some people have come back from the HEALTH//DISCO album and there’s a lot of new people. We usually like it when people are hungry, when people are hungry they really put something into it and you usually get something really great. The thing is I can’t confirm anybody because we haven’t decided on the track listing.”

HEALTH is playing four shows in New Zealand in February 2010 

February 19, 2010- The Transmission Room, Auckland (all-ages)

February 20, 2010- San Francisco Bathhouse, Wellington

February 21, 2010- Otago University Orientation, Dunedin

February 22, 2010- Canterbury University Orientation, Christchurch

 HEALTH- Die Slow: MP3

 HEALTH- Myspace

 

Posted by Nick Fulton under California, Los Angeles, U.S.A
[2] Comments

Hands

Thu 28 Jan 2010

Rainbow Flex

hands_pic.jpg

Adventurous two-piece Hands will instantly spark your creative imagination. Originally from Philadelphia and now based in Los Angeles, Geoffrey Halliday and Ryan James Sweeney are all about wide angled tribal rhythms, decorum toe tapping drums and they sprinkle everything with a dose of metropolitan airiness. They dabble in folk, electronic pop and even lash out with some atmospheric swirls of shoegaze. Placed in the same league as Rainbow Arabia and Lucky Dragons due to their experimental nature, Hands also has an accessible pop streak similar to artists like The Unicorns and The Zookeepers, which sees them hopping rather than drifting.

The duo self-released their first EP Cities in May 2008, and has a new single titled ‘Hold’ due for release on February 26 via German record label Headphonica. The track is bound to make a splash as it’s packed full of hooks and relaxing acoustic rhythms.

Hands- Windows: MP3

Hands- Myspace

 

Posted by Nick Fulton under Los Angeles
No Comments

Pearl Harbor: New CD-R

Sat 16 Jan 2010

Blonde Warriors

pharbor.jpg

My obsession continues. One of my favourite bands of 2009 has a new CD-R to perfectly serenade us in the New Zealand sunshine. Pearl Harbor’s first EP Something About The Chaparrals was one of my favourite releases last year and already they’ve returned with something equally charming and mystical. The CD-R titled Wish We Were Here offers four gorgeous new tracks, moving towards more of a spacious, pastely sound, perhaps addressing California’s unique tribal identity free of all the elephant beats and pastoral drumming. You can now hear three of the four songs on the band’s myspace page and you can buy all three Pearl Harbor releases direct from the band.

Pearl Harbor- California Shakedown: MP3

Pearl Harbor- Myspace

 

Posted by Nick Fulton under Los Angeles, U.S.A
No Comments

Letting Up Despite Great Faults

Fri 18 Dec 2009

Tiny Baby Steps

ludgf.jpg

Come and get lost in the beautiful euphoric tones of Letting Up Despite Great Faults. Their pulsing electronic, indie pop rides on hazy shoegaze guitars, bubbly electro drum beats and dotty keyboard whips, and is laced together by some peaceful enraptured vocals. It’s perhaps unusual to hear a Southern Californian band making such sombre, shadowy music, drawing on nature’s darker, gloomier side, but it’s a perfect excuse to go for an evening walk alone.

The band name paints a rather interesting picture, suggesting a compromise being made between troubled lovers. It’s in fact a reference to the Blonde Redhead song ‘Loved Despite Great Faults’, who the band list as a pivotal influence. There’s definitely a subtle hint of Blonde Redhead’s noisy expressionism in their overall sound, but there’s perhaps a stronger leaning towards bands like The Radio Dept., M83 and A Sunny Day In Glasgow.

Letting Up Despite Great Faults recently released their debut self-titled LP. It was recorded by band member and main songwriter Michael Lee in his home in Los Angeles and was mastered by Jeff Lipton (Magnetic Fields). It’s available now at Insound.

Letting Up Despite Great Faults- Our Younger Noise: MP3

Letting Up Despite Great Faults- The Colours Aren’t You Or Me: MP3

Letting Up Despite Great Faults- Myspace

 

Posted by Nick Fulton under California, Los Angeles, U.S.A
1 Comment

Har Mar Superstar interview

Mon 16 Nov 2009

Gangsters Want To Cuddle Me

 HAR MAR

Har Mar Superstar (real name Sean Tillmann) has just finished a short, sweet US tour with Bang Bang Eche, and continues on the road with his white-clad band, but touring is not all he’s been busy with. The enigmatic soul-pop singer has been developing a sitcom pilot for HBO with Arrested Development’s Alia Shawkat and Ellen Page (Juno, Hard Candy, Wilby Wonderful), written a film script with Justin Long, been consistently churning out short films for his Crappy Holidays project and released his first album in five years, Dark Touches.

EMJ spoke to Har Mar four days into his tour, before BBE was to join him on the road, and he was psyched to meet the band. “I’d actually seen their name and I heard they might be available to do some shows, and I checked them out and I was really into it. I thought it was really cool. A bunch of stuff had been thrown at me as far as support goes, and they were the ones that really got me excited, so I said yeah right away. I really like them… they kind of remind me of my first band Calvin Krime, they’re much better at it, it’s noisy but with awesome dancey keyboards, and I love that.”

His fourth album, Dark Touches boasts one of the catchiest songs he’s ever written, the sonic pop blitz of ‘Tall Boy’, escalating with stomping, salacious synths and Har Mar’s sugar sweet boy band vocals recounting what sounds like a girls’ night out but what is actually, he says, about the large beer. ‘Tall Boy’ has been credited with bringing him back into the American conscious, as did 2004’s party hit ‘DUI’ and his raunchy duet with Karen O, ‘Cut Me Up’. As the now famous story goes, ‘Tall Boy’ was originally written by Har Mar for Britney Spears, but was rejected by her management. The blow hasn’t hurt his ego however, and he says he’ll try again someday. “Oh totally man. You know I’m only down to take shot, it’s not like it’s like a personal diss if I’m not gonna record your songs, like it’s kind of a challenge to make it happen in the future, it’ll be fun. Basically if somebody huge wants to record my song and make me a whole lot of money then I’m totally down for them to do that. Sometimes a song I write for someone else I’m so into that it totally works for me; a few of those have made it on to my record.”

He says he is one of few “lyric and melody people” in his native LA. This enables him to write songs for the likes of Jennifer Lopez and Kelly Osbourne. “It’s weird, on paper it looks like I do a lot of shit and I’m a super busy person, but in reality I’m like laying around in my underwear watching TV,” he lets out a high, giggly laugh. “But I don’t know. It’s like everything happens in spurts, so there’ll be like a solid three months that I work on an album but then it’ll be like I don’t really have to do anything but tour and hang out after it comes out, so there’s a lot of time to not do anything. So instead of not doing anything I’ve been doing everything, and making shorts and trying to write scripts and hang out and maximise my time. I feel like it’s the only way to not get depressed, you know? Stay busy!”

HAR MAR

Har Mar credits his productivity to an innate desire to be busy. “Yeah I definitely have OCD, and I definitely can’t focus on something for too long, but when I do focus on it I think I get more done. I think I can focus for a short span and get an album done and tour but then I wanna do something else cos I’m just all over the place. I get bored easily.”

Having many talented, creative friends helps, and it’s with them Har Mar indulges his innermost creative tendencies. He’s worked on some level with The Strokes, Yeah Yeah Yeahs and Hollywood actors such as Eva Mendes, who stars in the epic glitter-fest video for ‘Tall Boy’. Har Mar and The Strokes’ names feature together a lot, and accordingly they’ve featured regularly in his life. “I met them in New York, there was a show that I ended up playing at the last minute that I wasn’t supposed to and they needed someone to fill in. I was there so I did it. The Strokes happened to be in the audience at the Mercury Lounge, and I didn’t really meet them. Then a few months later I was in Lawrence Kansas and saw them play, and at an after party they spotted me and asked me to come on tour. They were fans, and now we’re all really good friends.” Like all his creative friends, he hopes to collaborate properly someday. “Fab played drums with me the only time I’ve ever played in New Zealand… and Fab and I have written songs and stuff together before, and I’ve played with Nick a bunch, yeah, I’d love to.”

His new album Dark Touches appears to be his most polished and poppy accomplishment yet, and like any good pop saga, it took considerable time to come together. “I didn’t know it was gonna be an album until about two years ago. I made an early version of the album, and then I decided not to put it out right away. I still liked it, but there were just some weird label times and stuff. I worked more, wrote a bunch more songs and made it even better, so it was a good break.”

“It’s weird, on paper it looks like I do a lot of shit and I’m a super busy person, but in reality I’m like laying around in my underwear watching TV.”

All the while he’s been working on the brilliant Crappy Holidays series of short films that mock national American holidays. Writing, acting and casting them himself and with director friend Ryan Rickett, they gather actor friends together for some hilarious, deadpan DIY comedy akin to the humour of Arrested Development. The series came about after Har Mar recorded a cover of Mariah Carey’s ‘All I Want For Christmas Is You’ last Christmas with Flowers of Doom. “My friend Rickett and I decided to make a video for it just for fun, to send to our friends for a Christmas gift. We had so much fun making the first one, that we were like ‘we should do this all the time!’” he laughs. “We were really psyched, it felt like we were having a slumber party, so we decided that we would make it a series. And then it became one! And all our friends wanted to help us, so it’s awesome!” Their operation technique is very organic, he says. “It’s not stressful, I mean we’re in LA, so everybody’s an actor, they’re all good at it, so we have a fountain of talent! We just pick a day and then whoever can show up, we get to show up.”

They’re even considering developing it into a TV series with a formula that sounds not too disimilar to Extras. “I think ultimately we’d like to put together an actual sketch show that’s not all holiday-based or whatever, which is just kind of like a six episode season sort of awesome sketch show, with a cast and then a star each week or whatever, but we’ll see. Who knows, it’s just an idea thrown around.”

 HAR MAR

The sitcom he’s developing with bright young things Ellen Page and Alia Shawkat is more than just an idea thrown around, it’s been optioned by HBO and is two episodes in to its writing stage. The three met on the set of Drew Barrymore’s directorial debut, Whip It, in which Ellen is the protagonist, Alia is a main supporting character and Har Mar plays Coach Jeff.

“I’d known Alia from around for a while, and I met Ellen at Whip It on set. We all took a big trip with a bunch of our friends to Mexico over New Year’s, to Sayulita. Our friend rented a house and we were all there, so we ended up hanging out. That’s kind of where most of it came together for me. I think Alia and Ellen really bonded on set and were talking about doing something, and I kind of became the third puzzle piece.”

Later they took another trip together. “Ellen and Alia and I wrote the first two episodes when we were on a trip to Amsterdam together, and we took a trip just to do that. We hung out for two weeks and wrote two scripts, and just wandered around Amsterdam, it was really fun. We brought it back and pitched to HBO and they optioned it right away, which was awesome. So now we have to make a pilot, we have to re-write the script… it’s really baby stages; anything could happen with it. It could be awesome, it could be a series soon or it could just never happen, who knows. My money is on it happening and I think we just have to work really hard to make it the best. All we really care about is making it a really awesome show; that’s what we’re gonna take our time doing.” His aspirations extend to other screen work, and “would love to be involved in some sort of Judd Apatow awesomeness. That would be great, and super fun,” he says.

Har Mar’s natural talent with words and an uncanny ability to come up with classic, familiar sounding melodies that ring true has naturally flowed into acting and writing for the screen. His fearless character sees him strip himself of clothes on stage, but he also bares his soul in everything he does. He’s got a soul touch, R&B speaking, it’s all over his records. From the soulful DIY electronica of second album You Can Feel Me, to the booty bass raps of The Handler, to the pop soul of Dark Touches.

HAR MAR

It’s well known that Har Mar’s a fan of baring all (or a lot) at his shows, prompting his female fans to writhe with him in a sweaty, euphoric haze. It’s this nakedness, both physically and figuratively, that makes him stand out from the pack. He shares himself and his thoughts in the most brutally honest, genuine way that it’s alluring, captivating to watch. But unlike a car crash or stand up comedy, which are both equally head-turning, you’re not gasping in horror or laughing in the wrong places.

“The Har Mar show at some stages has been like some form of stand up. Not really, but it’s me on stage by myself, fending for my life,” he laughs. “I feel like stand up’s kind of a painful concept, you know? I’d have to be really ready, and really wanna do it, cos it’s really setting yourself up to just get knocked right the fuck down. It’s scary, I mean I totally respect anybody who can get up there and do ten minutes just with them and a microphone. It’s amazing. It’s so easy to bomb, it could go either way at any second, it’s kind of awesome.” This is how Har Mar has earned respect – getting up there, ripping his clothes off and partying, with his sassy songs backing his groove.

Har Mar Superstar- Tall Boy: MP3

Har Mar Superstar- DUI: MP3

Har Mar Superstar- EZ Pass: MP3

Har Mar Superstar- Myspace

 

Posted by Sarah Gooding under California, Los Angeles, U.S.A
No Comments

Man’s Assassination, Man

Thu 12 Nov 2009

Flesh-Eating Futurists

mans-assassination-man-2.jpg

Man’s Assassination, Man make brutal, crazy punk so hardcore DIY that the drums sound like they were swiped from some munted demo tape from the early ’90s that was ripped to shreds in a crappy boombox then painstakingly pieced back together again. Brothers Bill and Jon Gray of The Mae Shi, Greg Arnold of Residual Echoes and Of Aire with Adam Payne and Justin Hunter comprise California’s sassiest mutant punk hybrid, and are every bit antagonistic and aggressive as you’d expect from their previous band credentials. They came to EMJ’s attention when it was announced they would be playing a charity gig for The Smell with HEALTH, Abe Vigoda and Tearist (featuring members of Silver Daggers) tonight. Their frenetic energy, creatively interlocking and climbing guitar and bass riffs, powerhouse attack and spitting venomous vocals are captivating. So if you’re in LA, what are you waiting for? They’re playing in a few hours!

Man’s Assassination, Man- Myspace

 

Posted by Sarah Gooding under California, Los Angeles, U.S.A
1 Comment

Devendra Banhart

Wed 11 Nov 2009

Boy Wonder

This guys is amazing

Word broke this morning of the second Big Day Out announcement, and the one act announced that I am by far more excited about than any other is Devendra Banhart. The Venezuelan-born wonder-child has been at work for a long time now and it’s a pity he’s taken this long to reach us for a show, as his earlier work is definitely his most captivating. If you haven’t ever had the pleasure of listening to Devendra Banhart, I suggest you start with his first album, released in 2004, Rejoicing In The Hands. I will never forget early listens to it, his haunting, hallowed voice, finger-picked guitar that emulates each word of the lyrics, violins winding up melodies like a yo yo, each of his songs are silly, unique, sad and beautiful. While he later got into much more fun, frivolous territory with 2005 album Cripple Crow and Smokey Rolls Down Thunder Mountain in 2007, his most compelling, ripe and unique work is by far Rejoicing In The Hands. There is not a weak song on the album, and his warbly wobble of a voice is pure and unfettered by fame or disdain. The songs are certainly not all happy clappy, but there is a tender ache in his words and his delivery, and a realness in everything in it. He’s been called Freak Folk and a Gypsy, but that’s all semantics. You really just need to hear it to understand him. His latest album, What Will We Be, was released on October 27 by Warner/Reprise.

Devendra Banhart- This Is The Way: MP3

 Devendra Banhart- Fall: MP3

Devendra Banhart- Tit Smoking In The Temple Of Artisan Mimicry: MP3

Devendra Banhart- Myspace

 

Posted by Sarah Gooding under California, Los Angeles, U.S.A, Venezuela
[3] Comments

Next Page »

  • We Are:

    Nick Fulton and Sarah Gooding

  • Disclaimer

    MP3s are provided to showcase new artists. Please support the artists by buying their work.
  • Auckland Gigs

  • Upcoming Tours

  • Join us on...

    Twitter, Facebook, Myspace

  • Recent Comments

    • matthew on Bandicoot- Jurassic Warfare
    • blank on Bandicoot- Jurassic Warfare
    • Benjii on Nice Birds- Swirly
    • Reuben is in a really gay band on Bandicoot- Jurassic Warfare
    • matthew on Bandicoot- Jurassic Warfare
    • Blinded on Deerhoof live photos
    • f.r.i.e.n.d. on Nice Birds- Swirly
    • f.r.i.e.n.d. on Bandicoot- Jurassic Warfare
  • Music Blogs

    • 20 Jazz Funk Greats
    • 3hive
    • 5 Acts
    • A Reminder
    • Another Form Of Relief
    • Artrocker
    • Aurgasm
    • AW Music
    • Better Than Sex
    • Bibabidi
    • Blog Catalog
    • Brooklyn Ski Club
    • Brooklyn Vegan
    • Built On A Weak Spot
    • Ca Va Cool
    • Cannibal Cheerleader
    • Chromewaves
    • Come Pick Me Up
    • Condemned To Rock n Roll
    • Delicious Scopitone
    • Discodust
    • Done Waiting
    • Drop Dead Journal
    • Earmilk
    • Exitfare
    • FensePost
    • Fluo Kids
    • Fluxblog
    • Forest Gospel
    • Fuck yeah! Go team!
    • funfunfun
    • Gorilla vs. Bear
    • Have Fun Club
    • Hype and Sick
    • I Guess I’m Floating
    • It’s Getting Boring By The Sea
    • Killed In Cars
    • Knox Road
    • L.A Underground
    • Largehearted Boy
    • Look at me, I made a blog
    • Meet Me In The Sandbox
    • Museum Face
    • Music For Kids Who Can’t Read Good
    • My Old Kentucky Blog
    • No Pain In Pop
    • Obscure Sound
    • Oceans Never Listen
    • Polaroids Of Androids
    • Pop Tarts Suck Toasted
    • Pretty Much Amazing!
    • Raven Sings The Blues
    • Rock Sellout
    • Rose Quartz
    • Said The Gramophone
    • Snacks and Shit
    • Stereogum
    • The Band Next Door
    • The Bomarr Blog
    • The Culture Of Me
    • The Devil Has The Best Tuna
    • The Music Slut
    • The Post Punk Progressive Pop Party
    • The Tape Is Not Sticky
    • Tiny Mix Tapes
    • Too Cool To Die
    • Waves At Night
    • We All Want Someone
    • Weird Canada
    • White Boy Dance Floor
    • You Ain’t No Picasso
  • NZ Music Websites

    • At Home With Rose
    • Cheese On Toast
    • Counting The Beat
    • Coup De Main Magazine
    • Maniquill
    • Much Better Sundays
    • Mukuna Gig Guide
    • Nerdy Frames
    • New Zealand Blog Directory
    • Sam Conaglen Photography
    • Simian Lines
    • Starlifter
    • Tally Ho!
    • The Crackhouse 5
    • The Kitchen Sink
  • Radio Stations Online

    • Breakthru Radio
    • Fleet FM
    • Fleet FM
    • KEXP 90.3FM
    • Maximum RocknRoll Radio
    • Moshbox Radio 106.7fm
    • Pure NZ Alt Radio
    • Radio23
    • RDU 98.5FM
    • The Troncast
    • The VBC 88.3FM
    • Waiheke Radio 107.4FM

  • Who's Visiting

    http://www.wikio.com
    Delicious Bookmark this on Delicious

Einstein Music Journal is powered by WordPress 2.3.3 and delivered to you in 4.024 seconds using 22 queries.
Theme: Connections Reloaded v1.5 by Ajay D'Souza. Derived from Connections.