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Julianna Barwick

Tue 26 Jul 2011

Skyward Invalid

Everything about Julianna Barwick’s music is just right. Mostly comprised of loops of her searing distant voice, its occasionally joined by clunky yet perfectly on-form piano, and quiet guitar. It all sounds very considered and ponderous, but it’s finely-tuned and precise. Like a more melodic Grouper, Barwick confronts you with this wall of atmospherics she painstakingly builds around herself, all cooing vocal arrangements that are all her own, and slowly progressing harmonies. There’s a reason she was picked to play this year’s Gorilla vs. Bear festival, and has been lauded all over the internet to the point where she’s broken through that radar of bands you distantly hear about to become an artist you can’t not listen to.

Her serene melodies spiral skyward, sounding like they’re possibly never going to reach their full intensity, always holding something back, but also feeling like they’re constantly on breaking point. It makes you want to hear more. Like a weirdly seductive cacophony of harmless tones intricately melting together. The “sculptress of sounds”, as she is sometimes called, says her churchgoing upbringing in rural Louisiana contributed to her choral-style music, and it does hint at a gospel sound too (particularly in ‘Bode’).

Barwick’s longest release to date (after her Florine EP and 25-minute Sanguine LP), Magic Place, came out on February 21 on Asthmatic Kitty – buy it here.

Julianna Barwick- The Magic Place: MP3

Julianna Barwick- Website

 

Posted by Sarah Gooding under Brooklyn, Louisiana, New York, U.S.A
1 Comment

Ex Cops

Sun 26 Jun 2011

Feels like Floating

Ex Cops’ glassy pop evokes a calm serenity with its crystalline guitars and simmering synths. The processed beats are like ’90s counterparts of all that spacey pop that was so prominent then. Where nowadays many bands are very much directional, there’s a certain carefree quality to Ex Cops’ abundant styles and easy-flowing ideas. Their songs float between haunted melancholic pop to almost gleeful twee folk in ‘Spring Break (Birthday Song)’, to my favourite – blissful, sky-grazing dream pop. ‘The Millionaire’ is their standout, its scaly guitar gently churning up a murky bed of drums with a really beautiful, almost nursery rhyme-style vocal melody. The spacious, atmospheric pop folk makes for a more serene Grizzly Bear or a more progressive Memory House. They seem to change tack completely with each song – blending gluggy, grinding beats and sewer bass on ‘S&HSXX’. The song sears into a glittery cascade of guitar and choir breaks while still retaining the sedate essence. Their debut EP White Women is coming out next month. While their songs vary so much they become almost unrecognisable, I find it’s always the more interesting bands that keep you guessing.

Ex Cops- The Millionaire: MP3

Ex Cops- Facebook

Ex Cops- Website

 

Posted by Sarah Gooding under Brooklyn, New York, U.S.A
No Comments

Zombie Dogs

Thu 12 May 2011

Squashed Bananas

New York hardcore band Zombie Dogs has been destroying my ears drums lately with their pitbull approach. The band formed just over three years ago after the demise of Carnal Knowledge, with original members Diane Anastasio and Krista Ciminera switching instruments to attempt something completely outside of their comfort zones. But when Diane changed her mind and moved to San Francisco to join Maximum RockNRoll Magazine Krista found some new recruits, who like Diane and Krista in the beginning wanted a new challenge. Kathi Ko from Each Other’s Mothers switched from guitar to drums, Tamara Waite-Santibanez decided to pick up a microphone and bassist Rachel Rubino of Bridge & Tunnel completed the line-up. Together the band has become one the coolest sounding hardcore bands in  New York, combining rapid-fire guitar riffs and well politicised vocals. There’s elements of the Dead Kennedys’ post-war, anti-corporate message, updated but still fighting along similar battle lines, and there’s a mild nod towards pop punk in some of the instrumental riffs. Deep down they deliver a feminist message of discrimination and violence, but there’s a drive for arms that connects them to many like-minded, passionate individuals of any sex, race or age – principals hardcore punk was founded on. In 2009 they released their first recordings on cassette before releasing a self-titled 12″ in 2010 on the label Strength In Numbers. The cover art was designed by vocalist Tamara and all copies were silk-screened by the band. You can order a copy from the Strength In Numbers website.

Zombie Dogs on Myspace

 

Posted by Nick Fulton under Brooklyn, New York, U.S.A
No Comments

Total Slacker interview

Tue 26 Apr 2011

Thrashin’

There’s something about the whimsy and spontaneity of Total Slacker‘s fun-loving ethos and rocking out songs that makes a lasting impression. Their post-grunge pop, from shifty to boundless to creeping to outright thrashing songs, keeps the flame for energetic creation without necessarily having hordes of expendable energy. The New York trio come off as exuding both horizontally chilled out vibes and unrestrained enthusiasm. It’s a winning combo – they’re cool without even trying.

And people have noticed – they have been signed to Marshall Teller Records of London for their debut album, with a US distributor soon to be determined. Singer/guitarist Tucker Rountree explains that the impending release’s title, Thrashin’, is an ode to their show philosophy – “You have to thrash out when you play rock ‘n roll!”

Their detailed songs flaunt Tucker’s easy demeanor in his unhinged guitar playing, all extravagant jazz-style hooks embellished with his physically twisting wit. Growing up in the desert and the mountains respectively – drummer Ross Condon (brother of Beirut‘s Zach) and bassist/singer Emily Oppenheimer are from Santa Fe, and Tucker’s from Utah – they somehow sound like they have an outsider’s perspective. Their grainy pop is largely unaffected and instills quite a classic sound in its melodies. With a definite Nirvana style filtering through in songs like ‘Crystal Necklace’, their sound stretches further.

Emily says of her band-mate and boyfriend, “Tucker and I listened to a lot of Weezer when we first got together,” and “of course, we love Nirvana! I had no idea when we first started playing that we’d be a band that anyone might think was influenced by Nirvana, but that’s great by me. We’ve also all been listening to a lot of Beck recently, and Brooklyn bands like The Beets. We were channeling the Breeders, Pixies… funnily enough, Tucker had never really listened to Sonic Youth until he met me in 2009.”

New York is definitely a good spiritual and physical home for them, with Emily saying her favourite local bands right now are Friends, Widowspeak and Prince Rama. With a seemingly endless supportive community surrounding them, it seems natural that Tucker, Emily and Ross would bond so perfectly. Emily says they went from being friends to forming Total Slacker “almost simultaneously”. “The first thing Tucker and I ever did together was play guitar and have jam sessions, and the first time we hung out with Ross after (re)meeting him at a show was jam.”

Part of their success seems to come from Tucker’s endless bank of guitar hooks and entertaining subject matter that riffs on real life scenarios. “Tucker is especially prolific,” says Emily. “He’ll often come to me with four or five melodies, lyrical ideas or chord progressions in a single day. Ross and I work really well together rhythmically because, although we’d both been musicians prior to Total Slacker, we hadn’t played this kind of music in a band before, so our playing has evolved symbiotically. And Tucker can just play anything.”

Though only about a year old, the band seems closely-bound by a unique point of view that sees them writing songs about things like Facebook creeps. “Total Slacker has a very specific sense of humor – sometimes something will happen to us while we’re all hanging out, or a conversation will take a weird turn, and we’ll just look at each other and know that’s going in our next song.” But they nut the songs out as a group. “We write the songs together and shape the ideas together, except sometimes Tucker will have a total finished song that needs no changing.”

Each have varied backgrounds – Emily in historical and political theory study and classical guitar, Ross with college in Washington and Tucker with classical jazz guitar training. Like any blossoming band, they have ties to their home – which is New York’s bustling Brooklyn – the kind of adventurous, creative landscape that someone on the other side of the world can feel a weird sense of belonging to without ever having been there. With ambitions to tour other continents in the near future, they’ll always call New York City home. “Having been a part of it here, it’s difficult to imagine doing the same thing anywhere else,” says Emily. “I love Brooklyn for all kinds of reasons. I want to live in many places, but I imagine I’ll be consistently pulled back here.”

With their worlds right now revolving around the band, they’re definitely paying homage to their moniker in their daily life, but in an ideological way as opposed to a literal way. “Our world is completely immersed in music right now, and has been ever since about 2010. Playing shows, writing and recording, trying to stay positive and evolve our writing styles,” says Emily, who now goes to the New School in Manhattan. “We’re still pretty poor, but we’re able to pay most of our bills by playing shows – knock on wood!”

Reclaiming a life of leisurely pursuits has led them to create some highly memorable and relatable pop songs. “The band name is definitely inspired by the film Slacker. Tucker and I were both living in Williamsburg at the time we came up with it, bumming around and failing to find day jobs. We had the best summer, met lots of new people and spent hours making up silly joke songs in the park. Everything about what we were doing paralleled what went on in that movie, and we loved it. We didn’t want it to end, so we immortalised that whole summer’s vibe by using ‘slacker’ in our name. That was the summer of 2009 – too much partying!”

Thrashin’ will be out in late June on vinyl, CD and iTunes

Check them out on tour in the US from May 16 to June 9

Total Slacker- Life on Easy Street (UcouldDieInBedStuy): MP3

Total Slacker- Facebook

Total Slacker- Myspace

 

Posted by Sarah Gooding under New York, U.S.A
No Comments

Ford & Lopatin

Thu 31 Mar 2011

Trying to live in the future

A blitzkrieg of rolling ’80s softcore synth pop with breezy vocals and chopping drums, Ford & Lopatin is super slick. Previously known as Games (they had to change their name for legal reasons), their music at first comes across as blatantly uncool in its earnestly clear precision. But there’s a sense of dark urgency lurking somewhere deep beneath the ecstatically wired and pedantic melodies, which makes Ford & Lopatin not only unique, but hyper enjoyable. Their throbbing and gyrating tunes bend and crush with an almost mathematical automation, gliding with ease but always shape-shifting. It’s a confusing mix of sounds to say the least. But something in the fucked up oddball overtness of it appeals. Like a forgotten ’80s anthem playing on a shitty radio in a Lamborghini car yard.

So this is what childhood friends Daniel Lopatin of Oneohtrixpointnever and Joel Ford from Tigercity do in their time away from their other projects. The pair, who met in sixth grade, are releasing their full-length album Channel Pressure (mixed by Guillermo Scott Herren from Prefuse 73) on 7 June via their Mexican Summer imprint, Software. I’m looking forward to hearing the highly conceptualised album, that’s said to create a “futuristic narrative” involving a fictionalised record industry run by a super computer, a teenage anti-hero and violent robo-jocks, according to the label. The site has a few choice quotes from Joel –

“The main character is a kid named Joey Rogers, he’s a teenager who sleeps with his TV on and starts getting subliminal messages telling him to rob a music equipment chain store. The story reflects on our own anxiety over music as teenagers. The confusion surrounding music when you’re that age – the feeling of going to Guitar Center and being overwhelmed by the gigantic Aerosmith poster glaring down at you.”

‘Emergency Room’ is the first song they’ve released under their new name, check it out below and follow their blog for tour dates and further info.

Ford & Lopatin- Emergency Room: MP3

Ford & Lopatin- Everything Is Working: MP3

Buy Games- That We Can Play

 

Posted by Sarah Gooding under New York, U.S.A
1 Comment

Eskimeaux

Thu 3 Mar 2011

Smokers Delight

Amber Gold -  it is not just the colour of Gabrielle Smith’s glasses, it’s also the colour that jumps out from her music. Performing as Eskimeaux, her music has a classical quality that mixes perfectly with her twee ambition, laying down soft, soothing vocals atop a bed of delicate strings and keyboard drone. She’s been releasing music since early 2008 and yesterday released her latest album Two Mountains as a free download via Bandcamp. Recorded in her New York bedroom and others bordering the Hudson River and in Philadelphia, the album at times displays elements of a much bigger production, sounding pristine in it’s finest moments when her voice peaks or a whisper of bells lie half decrepit, swallowed up by a crying cello.  The music is fragile, a reflection of a girl finding ground in New York City, mixing old-fashioned with post-modern. It’s a style that fits well together, at times sounding down-beat (‘There Are A Lot Of You’) while remaining optimistic. Tracks with minimal instrumentation (‘Discarded’) have a soft, chalky like delivery, reminiscent of Joanna Newsom or Mountain Man, while the more spirited tracks (‘Hills’, ‘For Power Animal’ ) echo Efterklang or Wet Wings.

Eskimeaux- Hills: MP3

Eskimeaux – For Power Animal: MP3

Eskimeaux- Bandcamp

Eskimeaux- Facebook

 

Posted by Nick Fulton under New Jersey, New York, U.S.A
No Comments

Total Slacker

Sun 27 Feb 2011

Total Hacker

My favourite psychedelic sludge pop band from New York, Total Slacker, released a new song the other day, and it’s a gem. ‘Life on Easy Street (U Could Die In BedStuy)’ is a classic grunge-pop song featuring raunchy guitars and Emily Oppenheimer’s brilliant sleepy sing-along vocals with Tucker Rountree’s weird yet matter-of-fact depiction of New York life. His typical awesome glam-out guitar solo steals the show in the third quarter. It’s a simple but incredibly effective record of a mundane day – “Life ain’t hard, you know it’s really quite easy, you wake up in the morning and you stay inside.” This band’s simplicity made me love them from the beginning, and all their songs are really catchy. From the sludgy, slow and brilliant ‘Crystal Necklace’ to the cute ‘Cops Freak Me Out’ and the jangly, intricate ‘Psychic Mesa’ or the reverb riffs of ‘Video Store Rental Guy’ and ‘Ultimate Party Dood’, the band has created a super strong collection of songs. They’re currently recording their debut album and have their first tour of the US planned for May 16 to June 16 – make sure you head along if you can, and listen to ‘Life on Easy Street’ on their Myspace.

Total Slacker – Ultimate Party Dood: MP3

Total Slacker- Facebook

 

Posted by Sarah Gooding under Brooklyn, New York, U.S.A
No Comments

Gary War

Wed 12 Jan 2011

Future Arithmetic

While we’re on a buzz of Ariel Pink and his awesome album Before Today, here’s something of a similar ilk. Gary War toured with Ariel Pink six years ago, when he lived in Los Angeles; these days he resides in New York and is associated with Sacred Bones Records, who recently released his latest EP Police Water. During a recent interview with the New York Press War describes his music as a “modern attempt at doing psychedelic music in a pop format,” without resting on throwbacks and definitely not trying to recreate the past.  His music has a twisted brilliance, delving deep into the murky parts of psychedelia and clouding it with pastels and fuzzy kaleidoscopic  images. You get a sense of animals co-exiting in a secular society, growing fruit and veges together and living off the land. You could say it’s modern day hippy music, but now days reggae owns that tag. It’s thinking music, categorically mixed and developed in a certain way to draw out tones which touch on different parts of the imagination and it is near spiritual in creating its own language.

You can purchase Police Water from the Sacred Bones online store. The label describes the EP as “breaking new ground in prog and pop other-worlds… The overall feel of Police Water vibrates with post-apocalyptic urgency but ultimately carries the listener in through the darkness and out into light.” You can listen to two tracks (‘Born Of Light’ and ‘Sirens’) from the EP below. There’s also news of a split 7″ with Zola Jesus and a new full-length album on the way soon.

Gary War – Born Of Light: MP3

Gary War – Sirens: MP3

Gary War- Myspace

 

Posted by Nick Fulton under New York, U.S.A
No Comments

The Babies

Mon 10 Jan 2011

Like Whales Swimming In Wine

Cassie Ramone (Vivian Girls) and Kevin Morby (Woods) join forces with Nathanael Stark and Justin Sullivan in The Babies, a new garage-pop duo based in Brooklyn, New York. The band released a couple of 7″ singles last year and are about to drop their debut album. ‘Wild I’ is the latest single to flood the airwaves with Cassie’s voice sounding gritty and pure, like raw sugar melting on a hot iron. The guitar playing sits somewhere between Sonic Youth and the laid back vibes of Ariel Pink’s Haunted Graffiti. Much like moments of Best Coast’s critically acclaimed debut Crazy For You, there’s the pain and the longing but it’s more smooth than fractured. The Babies are heading out on tour in the US later this month with another bright young star named White Fence. Check out The Babies’ myspace page to purchase their previous 7″ releases, and to keep up to date with the band’s tour, head over to Woodsist Records’ website.

The Babies – Wild I: MP3

 

Posted by Nick Fulton under Brooklyn, New York, U.S.A
No Comments

Wonder Bear

Sun 19 Dec 2010

Audrey Hepburn growing
in a test tube

There’s this band from New York called Wonder Bear. It’s this guy and girl (boyfriend/girlfriend) and they’re both sixteen. They’re pretty prolific considering they’re sixteen and that most sixteen-year-olds aren’t very prolific, and they’ve got three EPs up on their bandcamp as well as a pretty sweet Kanye West cover. The latest, GALA is a conceptual piece about some Alaskan teens going into the woods. The three-track EP starts on this icy plane of ambience and delicately grows into a kind of digital primordial soup soundscape, as if the band started melting mid-song and allowed their bodies and samplers to drip into this waxy semi-solid pool. Sounds like dinosaur sculptures made out of butter. The central track, ‘We Found The Egg’, is where the shift takes place. “We found something,” she sings. It’s kind of an ominous line, but the jumpy rhythms and wormy synths never let the mood move from excitement into fear. “I can feel this moving towards me,” over and over. Wonder Bear seem to have their eyes open wide. Real good track.

Their two previous EPs contain some really nice music too. A loving grafting of chalky girl vocals to electronic jelly productions. A little Audrey Hepburn growing in a test tube. The Azul EP in particular has some really good tracks.

Currently they’re writing songs for what will be their debut album, or another EP. Relentless babes.

Wonder Bear- We Found The Egg: MP3

Wonder Bear- Runaway (Kanye West cover): MP3

Wonder Bear- Bandcamp

 

Posted by Nick Fulton under New York, U.S.A
[2] Comments

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